Lauren Margison

Recognized for her ability to communicate with an audience, soprano Lauren Margison is making her mark as a young artist of note. An alumna of the Canadian Opera Company’s Ensemble Studio, she was a member of the prestigious Atelier lyrique de l'Opéra de Montréal, laureate of Jeune Ambassadrice Lyrique, and the youngest finalist to appear in the prestigious and highly competitive Die Meistersinger von Nürnberg Vocal Competition. A finalist and prizewinner in the 2017 George London Foundation Awards, Lauren went on to take first prize in the 2018 competition, and, this season, garnered prizes in the Metropolitan Opera Laffont Competition, was a semi-finalist in the Concours International Musical de Montréal (2022), and won Edmonton Opera’s inaugural Rumbold Vocal Prize (2022).

This season Lauren looks forward to reviving the roles of Nedda in Leoncavallo’s Pagliacci and Anna in Puccini’s Le villi, and debuting the role of Desdemona in Verdi’s Otello with Staatstheater Mainz. Lauren’s recent engagements include Micaëla in Bizet’s Carmen with Pacific Opera Victoria, Tatyana in Highland Opera Studio’s production of Tchaikovsky’s Eugene Onegin, Beethoven’s Symphony No. 9 for Orchestre symphonique de Québec, The Csardas Princess with Toronto Operetta Theatre, and the title role in Barber’s Vanessa with Opera in Concert (Toronto).

Margison has been featured as Mïcaela in Carmen with the Brott Music Festival, Fiordiligi in Così fan tutte with Highlands Opera Studio, and appeared in concert with the PRISMA Festival in Strauss’s Four Last Songs. She also appeared as Mimi in a special presentation of La Bohème with Artists of the COC Ensemble at The Four Seasons Centre and was featured in the COC’s Elektra.

During her 2017-2018 season, Lauren returned to Atelier lyrique and appeared as Clorinda in La Cenerentola with l'Opéra de Montréal and Missia in the Atelier lyrique’s production of La Veuve joyeuse. Lauren has also appeared as a soloist in Hommage à Reynaldo Hahn with the Société d’art vocal de Montréal, in the new opera Mishaabooz’s Realm with the Highlands Opera Studio and Atelier lyrique de l’Opéra de Montréal, and in Beethoven’s Missa Solemnis and Mozart’s Requiem with Vox Luminosa and Choeur de Laval.

A versatile soprano, she has performed extensively both in Canada and internationally, specializing in classical, jazz and pop repertoire. Some highlights include performances for Opera Ontario, the TD Toronto Jazz Festival, The Beaches Jazz Festival, the Ottawa Chamber Music Festival, the Cincinnati Pops, Hannaford Street Silver Band, the noon hour concerts at the Four Seasons Centre for the Performing Arts – Richard Bradshaw Amphitheatre, Ottawa Choral Festival Gala, and the Venetian Ball under the baton of Marco Armiliato, (fundraiser for Villa Charities, Toronto) held on the main stage of the Four Seasons’ Centre for the Performing Arts.

An avid writer, between performances Margison contributes to Opera Canada magazine.

January 2024

Not to be altered or copied without permission.

“Possessing a beautiful lyric soprano with the ideal timbre for Mimi, [Lauren Margison’s] ‘Donde lieta usci…addio, senza rancor’ was truly lovely. She also has volume to spare, and I predict more dramatic roles in her future.”
— [La bohème, Canadian Opera Company] Joseph So, Ludwig van Toronto