| Thomas Goerz |
Introduction “Thomas Goerz, an old hand at the role of Leporello and in fine voice, was a constant delight. He delivered the catalogue aria with obvious relish for Donna Elivira’s distress. In Act II, when called upon to imitate his master, Goerz so accurately mimicked Okulitch’s voice the effect was uncanny.” Opera News, Christopher Hoile BiographyDramatic integrity and vocal clarity are the enduring artistic hallmarks of bass-baritone Thomas Goerz. His impressive variety of roles ranges from Leporello in DON GIOVANNI with Opera Ontario, to Owen Hart in the Canadian premiere of DEAD MAN WALKING with Calgary Opera. A very busy 2011-2012 season began in New York at the MET with two cover roles; Sulpice in LA FILLE DU REGIMENT, and Lord Krishna in SATYAGRAHA by Glass. After that he heads straight to Edmonton Opera for Pooh Bah in THE MIKADO, followed by Don Basilio in IL BARBIERE DI SIVIGLIA with Vancouver Opera, back to Edmonton for Rocco in FIDELIO and then over to Pacific Opera Victoria where he will play Banquo in MACBETH.
January 2012
Full RepertoireOpera
Contemporary Opera
Concert
TRAINING & SCHOLARSHIPS Opera Diploma (Honours)
Voice Teachers Louis Quilico, Leopold Simoneau, Patricia Kern Professional Workshops
Awards
Operetta/Musical Theatre
Engaged By
Reviews“It’s Canadian bass Thomas Goerz, as the cowardly, craven, prison warden, Rocco. Goerz, who gave a delightful comic performance as Pooh-Bah in Edmonton Opera’s Mikado earlier this year, is subtle and moving here, as a low-level official, corrupted by love of money, who rediscovers his humanity and redeems his soul, thanks to the moral example of his prospective son-in-law Fidelio — who is, of course, Leonore in disguise.” “Thomas Goerz, an old hand at the role of Leporello and in fine voice, was a constant delight. He delivered the catalogue aria with obvious relish for Donna Elvira’s distress. In Act II, when called upon to imitate his master, Goerz so accurately mimicked Okulitch’s voice the effect was uncanny” Opera News, Christopher Hoile
“The nucleus of this production lies in the performances of Daniel Okulitch as Don Giovanni and Thomas Goerz as his trusty servant Leporello. The type of stage chemistry between Okulitch… and Kitchener native Goerz, is such a rare commodity in opera. In their staging, the all-important relationship between their characters is vividly depicted by substantial acting chops and vocal talent.” Kitchener Record – Daniel Ariartnam
“In terms of creating a character, bass-baritone Thomas Goerz nearly steals the show with an empathetic and humorous portrayal of Papageno. Goerz is saddled with the majority of the libretto’s comedy but he carries it off skillfully. He blends slapstick physical humor with striking vocal clarity and makes it look easy.” Cincinnati Opera’s MAGIC FLUTE. Cincinnati Enquirer - Kate Brauer
“A terrific casting choice was bass-baritone Thomas Goerz as Leporello.” (Opera Hamilton – DON GIOVANNI) Classical 96 FM – Paula Citron
“Tom Goerz delivered a striking cameo as Owen Hart.” Calgary Opera ‘DEAD MAN WALKING’ The Globe and Mail – Robert Everett-Green
“Baritone Thomas Goerz also has a flexible voice which easily navigated the runs and rumblings of ‘The trumpet shall sound’. Goerz’s authority is a pleasure to experience and his ability to sound out over brass and tympani was thrilling.” The Record (Kitchener-Waterloo) – Colleen Johnston
“Thomas Goerz almost aces the role of the kindly sergeant Sulpice despite his slight build; his instincts are good and his mellifluous bass-baritone is a lovely surprise in such a slender frame.” The Vancouver Courier – Louise Phillips
“…The grave but penetrating bass of Tom Goerz was consistently impressive.” Vancouver Symphony – Mahler Eighth The National Post – Brian Hunt
“Thomas Goerz…an absolutely wonderful Rossini bass voice. His phrasing was fantastic and he just rolled up and down the scale with a secure coloratura. This is a Don Pasquale, this is a Dr. Bartolo. It’s all there and he has a secure coloratura…he was absolutely sparkling, plus it’s an exciting voice and a big voice.” Opera in Concert’s ITALIAN GIRL IN ALGIERS Classical 96 FM- Paula Citron |