Wallis Giunta

Introduction




“Her voice is strong, supple and tends to a pleasing lightness of timbre. It is even throughout her range and, to waste few more words, utterly beautiful.” Richard Todd – Ottawa Citizen



Biography



Hailed by critics as a “talented and artistically mature” performer with a “voice of satin purity” that is “strong, supple and…utterly beautiful”, Wallis Giunta has begun a vibrant and diversified musical career. The striking young mezzo-soprano headlined the World Premiere of Schafer’s Children’s Crusade for the Luminato Festival in June of 2009 and was then off to Colorado’s Aspen Music Festival. After a summer at Ravinia’s Steans Institute, she enters her second year as a member of the Canadian Opera Company Ensemble Studio in the fall of 2010. Her COC season includes performances at the Brooklyn Academy of Music where she will be featured in Robert LePage’s production of Stavinsky’s Le Rossignol and Other Short Fables and in Toronto she will be Zweite Dame in Zauberflöte and the English Lady in Britten’s Death in Venice.

For 2009-2010, her Canadian Opera Company assignments included roles in Idomeneo, and Carmen. Other recent and future engagements include Cherubino in Opera Atelier’s Le nozze di Figaro, in concert with the Regina Symphony (Messiah), Royal Conservatory Orchestra (Shéhérazade conducted by Johannes Debus), the Toronto Classical Singers/Talisker Players (Mozart’s Mass in C), and recitals with Off Centre Music Salon and Mooredale Concerts. Of special note was her appearance on September 25th, 2009 in the Grand Opening Gala at the Royal Conservatory’s Koerner Hall conducted by Jean-Phillipe Tremblay. She created the title role in Pandora’s Locker, a new opera for young audiences by Canadian composer, Dean Burry, presented at The Four Seasons Centre and The Royal Conservatory’s Mazzoleni Hall. Performance credits include Hermia in Britten’s A Midsummer Night’s Dream at The Banff Centre, Dorabella in Mozart’s Cosi fan tutte (The Royal Conservatory of Music/Bernardi), Cretan Woman in Mozart’s Idomeneo with Opera Atelier, Ernesto in Haydn’s Il Mondo Della Luna with Opera in Concert, Clarina in Rossini’s La Cambiale di Matrimonio, Il Fuso in the Canadian premiere of Respighi’s La Bella Dormente nel Bosco, and Sally in Barber’s A Hand of Bridge.

Ms Giunta has been recognized by prizes, awards and grants from a number of national and international competitions and institutions including Encouragement Awards from the George London Competition and the Metropolitan National Council Auditions; a Career Development Grant from the Canada Council for the Arts, and the Ottawa Choral Society’s New Discovery Auditions. A finalist in the 2009 Neue Stimmen Competition, the Ottawa native is the 2009 winner of The Royal Conservatory Orchestra Concerto Competition & Tom Thomas Award, and has also won the Lilly Kertes Rolin International Vocal Prize.

As a Sidgwick Scholar of The Orpheus Choir of Toronto, Wallis was Alto soloist for the Toronto premieres of Jonathan Willcocks’ Lux Perpetua, and Derek Holman’s Requiem, as well as singing Othniel in Handel’s Joshua in the 2007/2008 season. She can also be heard across Canada on the concert stage, most recently in Messiah with Chorus Niagara and The Talisker Players, and made her Regina Symphony Orchestra/Regina Philharmonic Chorus debuts in Beethoven’s Mass in C and Bach’s Magnificat. In 2008 she had the privilege of performing at the Four Seasons Centre in Toronto, singing R. Murray Schafer’s Minnelieder with The Notus Wind Ensemble.

Miss Giunta is a critically acclaimed recitalist, performing multiple times for The Ottawa International Chamber Music Festival, The Banff Centre, The Arts and Letters Club of Toronto, and The Ottawa Musical Arts Club. She has been featured live on Toronto’s Classical 96.3 FM and has been broadcast on CBC Radio One. Ms. Giunta recently completed an Artist Diploma at The Glenn Gould School, studying with Jean MacPhail and Steven Philcox.

August 2010

 

For further information, please visit www.wallis.giunta.ca.

Full Repertoire



Opera

Barber Sally A HAND OF BRIDGE
Bizet
Britten
Mercedes
Hermia
CARMEN
A MIDSUMMER NIGHT’S DREAM
Burry Pandora PANDORA’S LOCKER
Haydn Ernesto IL MONDO DELLA LUNA
Mozart Dorabella
Zerlina
Idamante
Cherubino
Susanna
COSI FAN TUTTI
DON GIOVANNI
IDOMENEO
LE NOZZE DI FIGARO
Respighi
Il Fuso
LA BELLA DORMENTE NEL BOSCO
Rossini
Schafer
Clarina
King's Mistress
LA CAMBIALE DI MATRIMONIO
THE CHILDREN'S CRUSADE

 

Concert/Oratorio

Bach
Beethoven
Magnificat
Mass in C minor
Brahms
Zwei Gesange Op. 91
Canteloube
Chantes D'Auvergne
Charpentier
Salve Regina
Missa Asumpta est Maria
Chausson
Chanson Perpetuelle
Fauré
La Bonne Chanson
Handel Joshua
Messiah
Holman Requiem
Montsalvatge
Cinco Canciones Negras
Mompou
Combat del Somni
Pergolesi Stabat Mater
Ravel
Shéhérazade
Weill
Frauentanz
Die Sieben Todesünden
Vaughan Williams
Serenade to Music

 

Engaged By

Amici Chamber Ensemble
Aspen Music Festival and School
The Banff Centre
The Bluebridge Festival
Bravo! Canada
CAMMAC
Canadian Opera Company
Chorus Niagara
Luminato Festival
Mooredale Concerts
Music at Sharon
Off Centre Music
Opera Atelier
Opéra de Montréal
Opera in Concert (Toronto)
Opera Lyra Ottawa
Orpheus Choir
Ottawa International Chamber Music Festival
Regina Philharmonic Chorus
Regina Symphony
Soundstreams Canada
Tafelmusik

Reviews

"Vocally outstanding"
Christopher Hoile - Opera News, 2009
(The Children's Crusade)

"Vocally, the standout performance came from Wallis Giunta in her all-toobrief solo as the King's Mistress. Her lustrous voice cutthrough the dusty atmosphere and less-than-friendly acoustic of the derelict factory where the show was staged."
Eric Domville, Opera Canada, 2009
(The Children's Crusade)


"Mezzo Wallis Giunta (Dorabella) has a beautiful high instrument, an astonishing ease of delivery and consummate expression. Hers is a clear and clean sound that can be molded at will."
Opera Canada - Paula Citron

“Mezzo Wallis Giunta was in fine voice in the trouser role of Ernesto, her tender legato lines, passionate execution and stylish assurance a delight.” (Opera in Concert – Il mondo della Luna)
Opera Canada – Geoff Chapman

“This scene also showed off the impressive talents of the young mezzo-soprano Wallis Giunta…who is plainly on her way to bigger things.”
The Globe and Mail – Robert Everett-Green

“Her voice is strong, supple and tends to a pleasing lightness of timbre. It is even throughout her range and, to waste few words, utterly beautiful.”
The Ottawa Citizen – Richard Todd

“In the demanding title role, mezzo Wallis Giunta etched the troubled teen authentically and with confidence.” (Pandora’s Locker by Dean Burry)
Opera Canada – Wayne Gooding – Opera Canada, 2009

“Blessed with glamorous good looks, a gleaming high mezzo and good dramatic instincts, Giunta’s Dorabella was an unalloyed pleasure.”
La Scena Musicale – Joseph So

“Mezzo Wallis Giunta showed artistic and vocal maturity beyond her years.”
Opera Canada – Dawn Martens

“…the rising star of the vocal community…” (World premiere of R. Murray Schafer’s Children’s Crusade at the Luminato Festival in Toronto)
Soundstreams Canada, 2009