Betty Waynne Allison

Introduction


“None is more impressive than Allison, who combines it all…voice, acting ability, presence and beauty…in one highly impressive package.”

Toronto Sun, John Colbourn

 

Biography

Prize-winning soprano Betty Waynne Allison first came to prominence as a member of the Canadian Opera Company’s Ensemble Studio. Highlights of the current season include her French debut as Alice in Verdi’s FALSTAFF for Opéra-Théâtre Métropole, her US debut in the title role in Floyd’s SUSANNAH for Florentine Opera, and she created the title role in Andrew MacDonald’s MARY’S WEDDING for Pacific Opera Victoria.  On the concert stage she sings Brahms’ REQUIEM for the Grand Philharmonic Choir and for the Winnipeg Symphony.

During her time in the COC Ensemble her productions included Fiordiligi in COSI FAN TUTTE, Donna Elvira in Gazzaniga’s DON GIOVANNI, and Mona in the world premiere of James Rolfe’s SWOON.  On the mainstage she has covered and performed a wide range of roles, demonstrating her natural ability and talent.  Included among these are the High Priestess (AÏDA), Donna Anna (DON GIOVANNI), Annina (LA TRAVIATA), Luisa Miller (LUISA MILLER), Turnspit (RUSALKA), Freia (DAS RHEINGOLD), Marguerite (FAUST), Countess (LE NOZZE DI FIGARO), Tatyana (EUGENE ONEGIN), and Amelia (SIMON BOCCANEGRA). She sang Erste Dame in a new production of DIE ZAUBERFLÖTE during the COC’s 2010-2011 season and in concert she was heard with Ottawa’s Choral Society and in the New Discoveries Showcase.

Ms. Allison was the Canadian representative to the first ever Stella Maris Vocal Competition, hosted and adjudicated by world-renowned tenor Michael Schade, placing first in the Oratorio class and fourth overall. Other competition successes have included selection as a regional finalist at the Metropolitan Opera National Council Auditions in Pittsburgh, a Silver Medal in the Czech Slovak International Competition, Grand Prizes at the Ottawa Choral Society New Discovery and West Palm Beach Opera competitions and a top prize from Jeunes Ambassadeurs Lyriques.

April 2012

For further information, please visit www.bettywaynneallison.com




Full Repertoire

OPERA

Dvořák Rusalka RUSALKA
Floyd Susannah SUSANNAH
Gazzaniga Donna Elvira DON GIOVANNI
Gounod Margeurite FAUST
Janáček Vixen THE CUNNING LITTLE VIXEN
Mozart Fiordiligi
Donna Anna
Countess
First Lady
COSÌ FAN TUTTE
DON GIOVANNI
LE NOZZE DI FIGARO
DIE ZAUBERFLÖTE
Puccini Musetta LA BOHÈME
Prokofiev Peronskaya WAR AND PEACE
Tchaikovsky Tatiana EUGENE ONEGIN
Verdi Priestess
Alice
Luisa
Amelia
Celestial Voice
Annina
AÏDA
FALSTAFF
LUISA MILLER
SIMON BOCCANEGRA
DON CARLOS
LA TRAVIATA
Wagner Freia
Helmwige/Ortlinde
DAS RHEINGOLD
DIE WALKÜRE

CONCERT

Brahms   Ein Deutsches Requiem
Dvořák   Te Deum
Handel   Messiah
Haydn   Die Schöpfung
Rutter   Mass of the Children

  Galgenleider a 3
Schubert   Mass in G
Vivaldi   Gloria

SONG CYCLES

Glick   Seven Tableaux from the Song of Songs
Gubaidulina
  Galgenlieder à Trois
Hétu   Les Clartés de la Nuit, Op. 20
Larsen   Try Me, Good King: Last Words of the Wives of Henry VIII
Messiaen   Harawi (Tristan Trilogy)
    Poèmes pour Mi
Poulenc   Fiançailles pour Rire
R. Strauss
  4 Lieder, Op. 27

 





 

 

Engaged By

Banff Centre
Canadian Opera Company

Choeur Classique de l'Outaouais
Counterpoint Chorale
Florentine Opera
Grand Philharmonic Choir
Highlands Opera Studio
L’Opéra Théâtre de Metz Métropole
Pacific Opera Victoria
Queen of Puddings

Ravinia Festival Steans Institute
Victoria Chamber Orchestra
Winnipeg Symphony Orchestra

 

Reviews

“As Mary, the soprano Betty Waynne Allison coped brilliantly with the demands of a role that dept her on stage from beginning to end.  Completely believable as a demure yet strong-willed young lady, she sang throughout with bright, cleanly focused ton and hit her high notes squarely on pitch.” [Mary’s Wedding, Pacific Opera Victoria, 2011]
Opera, Bernard Jacobson

“Indeed Betty Waynne Allison, as Mary, has a tremendous amount to sing and a tremendous amount of text to deliver. Fortunately she graces MacDonald’s angular but wide-ranging lyrical melodies with personable warmth and ringing tone.”
Globe and Mail – Elissa Poole [Mary’s Wedding, Pacific Opera Victoria, 2011]

“The fresh-faced young singers portraying the central couple - soprano Betty Waynne Allison and tenor Thomas Macleay - have personable voices that are fortunately not out of proportion to the characters or story or venue.  Crucially, both have real acting talent; their various encounters are sweet, touching, funny and genuine.”
Victoria Times Colonist – Kevin Bazzana [Mary’s Wedding, Pacific Opera Victoria, 2011]