ANNA THEODOSAKIS

Stage director and choreographer Anna Theodosakis is a rising figure on the operatic scene, with critically acclaimed productions featuring “crisp and dynamic treatment” [Opera Ramblings] and “clean and uncluttered direction” [Opera Canada]. The upcoming 26/27 season sees Anna make her Edmonton Opera debut with Rossini’s Barber of Seville, alongside a returns to the Canadian Opera Company for Britten’s Turn of the Screw (Assistant Director) and Trew’s Come Closer (Director), and Manitoba Opera for Puccini’s Madama Butterfly.

This past season, Anna debuted with Opéra de Montréal for Bizet’s Carmen, which, “among the Carmen productions staged in Québec in the last 20 years, (this one) is by far the best” (Le Devoir). She returned to both Manitoba Opera for Puccini’s Tosca and the University of Toronto for Britten’s The Rape of Lucretia, and joined the Canadian Opera Company to assist Joan Font on Els Comediants’ production of Rossini’s Barber of Seville. She wrapped up her 25/26 season with a return to Opera Theatre of Saint Louis, where she has served as resident director for the past two seasons.

Anna’s 24/25 season included Don Giovanni at Calgary Opera (debut), Così fan tutte at the University of Toronto, and La bohème at Manitoba Opera (debut). Anna was selected as the 2024 Merola Opera Stage Director where she directed the Grand Finale and The Song as Drama Finale, co-directed the Schwabacher Scenes Concert, and assisted on Don Giovanni. 

Since 2017, Anna has appeared as a frequent collaborator with the Canadian Opera Company, earning a nomination for the Dora Mavor Moore Award for Outstanding Direction for her work as revival director on The Magic Flute (2022). Other credits include COC’s Opera for Young Audiences (WOW Factor: A Cinderella Story), as well as their Ensemble Studio’s performance of La bohème and 2018 Mainstage Showcase of Dido and Aeneas. A COC Ensemble Studio faculty member and dramatic coach, she has staged several RBA Concert Series performances, including the premiere of Ana Sokolović’s dawn always begins in the bones, a co-production between the Canadian Art Song Project and the 21C Festival.  

Anna has directed across Canada at the Saskatoon Opera (Carmen), Brott Opera (Don Giovanni, Così fan tutte, La traviata), The Banff Centre (A Room with a View), Toronto Summer Music Festival (Rape of Lucretia), Parks Canada (The Bells of Baddeck), Musique 3 Femmes (Love Songs), Manitoba Underground Opera (Die Zauberflöte), Muskoka Opera Festival (La bohème, Eugene Onegin), Tafelmusik Baroque Orchestra (Haus Musik), and MYOpera (Rape of Lucretia, L’italiana in Algeri). She has served as a revival director and choreographer for Edmonton Opera (Carmen) and associate director with Against the Grain Theatre (Bluebeard's Castle). She has also assisted on productions with The Banff Centre (Rape of Lucretia), Tapestry Opera (Briefs - Winter Shorts), and the Toronto Symphony Orchestra (Mozart’s Requiem). 

July 2026

Not to be altered or copied without permission.

  • Theodosakis has also flexed her choreography skills on repertoire ranging from Mozart, to operetta, to musical theatre. Choreography credits include Massenet's Cendrillon, Gershwin's Of Thee I Sing, Gilbert & Sullivan’s H.M.S. Pinafore, Offenbach's Orphée aux enfers, Mozart’s Le nozze di Figaro, and Weill’s Street Scene. Anna has frequently combined these skill sets, jointly choreographing and directing many of the above credits.

    Passionate about working with emerging artists, Anna teaches acting and dance for the University of Toronto's Opera Division. She served as a sessional lecturer in Theatre Techniques and Staging & Directing for the University of British Columbia. She has also been an invited guest stage director and lecturer of acting, movement, and digital techniques with McGill University (The Limit of the Sun, Il guidizione di Pigmalione), the University of Toronto (The Medium, Così fan tutte), the University of British Columbia (Così fan tutte), the Glenn Gould School (Flight, Hin und Zurück/Les larmes du couteau), Dalhousie University (Die Fledermaus), Wilfrid Laurier University (Les contes d’Hoffmann, The Tender Land), the University of Ottawa (Love Songs, Die schöne Müllerin, Orpheus Pastiche), the University of Manitoba (dawn always begins in the bones), and the University of Lethbridge. 

    Anna holds a Bachelor of Music and Master of Music in Opera Performance from the University of British Columbia, as well as an Artistic Diploma in Operatic Stage Performance from the University of Toronto. During her tenure at U of T, Anna was the first student in the program’s history to direct a main stage opera production.

Dean Artists represents Anna Theodosakis worldwide.

CONTACT

Morgan Reid
Managing Director & Artist Manager
morgan@deanartists.com

Loren Graziano
Associate Artist Manager
loren@deanartists.com

LINKS

Website
Instagram

“Kudos to director Anna Theodosakis for her laughs-inducing stage direction, with a wealth of detailed and nuanced touches, expertly choreographed and in sync with the music.”

— Ludwig van Toronto

  • Bizet's Carmen (Opéra de Montréal, 2026)

  • Puccini's Tosca (Manitoba Opera, 2025)

  • Britten's The Rape of Lucretia (University of Toronto, 2026)

  • Mozart's Don Giovanni (Calgary Opera, 2024)

  • Puccini's La bohème (Manitoba Opera, 2025)

  • Dove's Flight (Glenn Gould School, 2023)

  • Mozart's Cosi fan tutte (University of British Columbia, 2024)

  • Mozart's Don Giovanni (Calgary Opera, 2024)

  • Massenet's Cendrillion (University of Toronto, as choreographer, 2024)

  • Mozart's Così fan tutte (University of Toronto, 2025)

  • Puccini's La bohème (Manitoba Opera, 2025)

  • Mozart's Così fan tutte (University of Toronto, 2025)