Claire de Sévigné with the Orchestre symphonique de Québec
Soprano Claire de Sévigné joins the Orchestre symphonique de Québec for Orff's Carmina Burana.
The program is led by conductor Clemens Schuldt, and includes a new work Creation by Éric Morin.
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May 27 to 29 - Grand Théâtre de Québec
Olivier Bergeron with Pro Musica
Baritone Olivier Bergeron joins Pro Musica for Concert Mélodînes.
The program is accompanied by pianist Alex Shafirov, and features Robert Schumann’s Liederkreis op. 24 and Dichterliebe op. 48.
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May 27 – Place des Arts
Neil Craighead, Alex Halliday, and Simon Rivard with Edmonton Opera
Bass-baritones Alex Halliday and Neil Craighead join Edmonton Opera for Wagner’s Siegfried.
The production is directed by Rodula Gaitanou with music led by Dean Artists’ very Simon Rivard.
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May 25 to 31 – Citadel Theatre
Elena Howard-Scott with the Amici Chamber Ensemble
Soprano Elena Howard-Scott joins the Amici Chamber Ensemble for ABBA Reimagined.
This special gala program brings together the music of ABBA, Puccini, Beethoven, and Porter.
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May 24 - Granite Club (Toronto)
Stephen Hegedus with Toronto Bach Festival
Bass-baritone Stephen Hegedus joins the Toronto Bach Festival for Voices Lifted: Bach's Celebrated Cantatas.
The program is led by conductor John Abberger, and features selections of Bach’s most beloved choral cantatas.
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May 24 - Eastminster United Church
Claire de Sévigné with Edmonton Symphony Orchestra
Soprano Claire de Sévigné joins the Edmonton Symphony Orchestra for Orff's Carmina Burana.
The program is led by conductor Jean-Marie Zeitouni, and includes a world premiere of an ESO commission by Julien Bilodeau, On Freedom.
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May 22 to 24 - Winspear Centre
Adanya Dunn with Warszawska Opera Kameralna
Mezzo-soprano Adanya Dunn returns to Warszawska Opera Kameralna for Mozart’s La Clemenza di Tito.
The production is directed by Anna Sroka-Hryń, and led by conductor Jonathan Stockhammer.
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May 16 to 17 - Theatre of the Warsaw Chamber Opera
Owen McCausland with The Cleveland Orchestra
Tenor Owen McCausland joins The Cleveland Orchestra for Beethoven’s Fidelio in concert.
The program is led by conductor and music director Franz Welser-Möst.
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May 16 to 24 - Mandel Concert Hall
Claire de Sévigné with Niagara Symphony Orchestra
Soprano Claire de Sévigné joins the Niagara Symphony Orchestra for Songs of Hope.
The program is led by conductor Bradley Thachuk, and features Gorecki’s Symphony No. 3, Symphony of Sorrowful Songs.
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May 17 - Partridge Hall
Antoine Plante with the Mercury Chamber Orchestra
Conductor Antoine Plante leads the Mercury Chamber Orchestra for Vivaldi’s Voices.
Featuring The Mercury Singers, the program celebrates the brilliant range of Vivaldi’s vocal music, from radiant sacred works to tender, expressive gems, with a virtual option to stream the concert from anywhere in the world.
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May 16 - Cullen Theater at the Wortham (Houston)
Georgia Burashko with Gli Angeli Genève
Mezzo-soprano Georgia Burashko joins Gli Angeli Genève for Bach’s Complete Cantatas #62.
The program is led by conductor Stephan MacLeod, and features the motet O Jesu Christ, meins Lebens Licht.
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May 11 - Temple de Saint-Gervais
Olivier Bergeron with the Brighton Festival
Baritone Olivier Bergeron joins the Brighton Festival for Bach’s St John Passion.
Directed by James Morgan, the performance features the Britten Sinfonia, and soloists from Les arts florissant’s Jardin des Voix.
Learn more here.
May 4 - Brighton Dome Concert Hall
Sydney Baedke with Orchestre Philharmonique et chœurs des Mélomanes
Soprano Sydney Baedke joins Orchestre Philharmonique et chœurs des Mélomanes for Puccini’s Turandot in concert.
The program is led by conductor Francis Choinière.
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May 9 to 10 - Maison symphonique, Montreal
Evan Korbut with Against the Grain Theatre
Baritone Evan Korbut joins Against the Grain Theatre for Stories Don’t Die: The Artists of Indians on Vacation.
The program features excerpts from Ian Cusson’s Indians on Vacation.
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May 9 - Terminal Theatre
Jonelle Sills at the Prince George Playhouse
Soprano Jonelle Sills joins pianist Tina Chang in recital at the Prince George Playhouse.
The program features pieces by Schubert, Debussy, Maria Thompson Corley, and William Walton to explore the inner landscapes of the heart, and ultimately its capacity for renewal.
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May 9 – Prince George Playhouse
Michael Colvin and Alain Coulombe with Canadian Opera Company
Tenors Michael Colvin and bass Alain Coulombe join Canadian Opera Company for Massenet’s Werther.
The production is directed by Alain Gauthier with music led by conductor Johannes Debus.
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May 7 to 23 - Four Seasons Centre for the Performing Arts
Anna Theodosakis and Stephen Hegedus with Opéra de Montréal
Bass-baritone Stephen Hegedus joins Opéra de Montréal for Bizet’s Carmen.
The production is directed by Dean Artists’ very own Anna Theodosakis, and led by conductor Jean-Marie Zeitouni.
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May 2 to 12 - Salle Wilfrid-Pelletier, Place des Arts
Jean-Sébastien Vallée with the Boston Symphony Orchestra
Conductor Jean-Sébastien Vallée joins the Boston Symphony Orchestra for Beethoven’s Symphony No. 9.
The program features the Tanglewood Festival Chorus led by Jean-Sébastien Vallée.
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April 30 to May 3 - Symphony Hall, Boston
Jacqueline Woodley and Isaiah Bell with Ottawa Choral Society
Soprano Jacqueline Woodley and tenor Isaiah Bell join the Ottawa Choral Society for Haydn's The Creation.
The program is led by Gabrielle Gaudreault, and features the Ottawa Symphony Orchestra.
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May 2 to 3 – Carleton Dominion-Chalmers Centre
Dean Artists Management Welcomes Soprano Sharleen Joynt to the Roster for General Management
Dean Artists Management is delighted to welcome soprano Sharleen Joynt to our roster.
Canadian-Chinese coloratura soprano Sharleen Joynt has been praised for her "silvery, sparkling, substantial and resonant soprano" (Die Deutsche Bühne), her "scintillating high range, reminiscent of the most beautiful moments of Mady Mesplé" (Opernwelt), and "an artistic command that leaves the listener breathless" (Deutschland Radio). Recent career highlights include her “unforgettable” (SGN) and “electrifying” (The Seattle Times) Queen of the Night in Barrie Kosky’s production of Mozart’s The Magic Flute with Seattle Opera, and her Irish debut with Wexford Festival Opera as the Prima Donna in Donizetti’s Le convenienze ed inconvenienze teatrali, with critics praising her “superb technique with great comic timing” (The Guardian) and “brilliant, sparkling coloratura.” (OperaWire) She also recently had her “stunning” (ResMusica) French debut as Cunégonde in Candide with Opéra National de Lyon, critics hailing her a “formidable discovery” (Bachtrack) and “a revelation.” (Forum Opera)
Sharleen’s recent operatic repertoire includes Gilda in Verdi’s Rigoletto (Opera Colorado, Florida Grand Opera, Edmonton Opera), Morgana in Handel’s Alcina (Seattle Opera), the Controller in Dove’s Flight (Pacific Opera Victoria, Seattle Opera), and Musetta in Puccini’s La bohème (Vancouver Opera, Pacific Opera Victoria). Her signature role of Cunégonde in Candide has been praised as “unparalleled” (Art Intercepts) and “show-stopping” (The Berkshire Edge), and has brought her to the stages of the Tanglewood Music Festival, Ravinia Music Festival, Anchorage Opera, and Orlando Philharmonic.
In concert, highlights include Glière’s Concerto for Coloratura, Op. 82 (Guelph Symphony), Handel’s Messiah (Charleston Symphony), Howard Goodall’s Eternal Light requiem (Bach Society of St. Louis), and Mahler’s Symphony No. 4 (Thunder Bay Symphony), as well as New Year’s Galas with the Hong Kong Philharmonic. Sharleen’s 2025/26 season included concerts with Classical Tahoe, and Handel’s Messiah with Grand Philharmonic Orchestra.
Sharleen is represented by Managing Director Morgan Reid for worldwide general management.
